Just as the symphony forms the cornerstone of symphonic orchestra music, the suite and the serenade are the pillars of string orchestra literature. One of the earliest suites for string orchestra is J.S. Bach's Orchestral Suite No. 2 in B minor, BWV 1067. In this work (as with other orchestral works of the same time period), the orchestra is traditionally joined by a harpsichord. The orchestra is also joined by a solo flutist. While scholars suggest that early drafts of the work indicate that Bach may have considered a violin for the solo role, the addition of the flute creates a charming and engaging contrast with the orchestra.
Two and a half centuries later, this instrumental configuration was reimagined by the English composer John Rutter with his Suite Antique. But the similarities to the Bach suite start and end at the use of the same instruments. The sound of the Rutter suite, while still charming and intimate, is decidedly 20th century. And unlike Bach, Rutter has not relegated the harpsichord to an accompanying role, but highlights it as an equal solo partner with the flute.
Also featured on this program is Wolfgang Amadeus Mozart's famous Eine Kleine Nachtmusik. One of the most beloved pieces of the string orchestra repertoire, this charming Serenade is among the most performed works in all of classical music literature and is a mainstay on classical music radio stations. Two smaller pieces - Carlo Martelli's sprightly Persiflage and Tchaikovsky's lush Andante Cantabile - round out the program.